The Void, 2020

 

 

The Void deals with a specific modernist narrative that fuses historical facts with fiction including the Dutch painter and modernist Theo van Doesburg and the Yugoslav architect Nikola Dobrović. The concept is inspired by Van Doesburg’s essay Yugoslavia: Rivalling Influences—Nikola Dobrović and the Serbian Tradition published in 1930. The work features the painter appearing at the building of the former Yugoslav Army Headquarters that was severely damaged during the NATO bombing and the interior of Van Doesburg – Rinsemahuis in Drachten, Holland.


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